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Best Reverb Pedal 2024? 10+ Reverbs To Spice-Up Your Tone!!

What reverb is best? Are reverb pedals worth it? We dissect reverb pedals...

The best reverb pedal gives you control.

It’s that part of your pedalboard that’s “always on” with the purpose of specifically giving your guitar tone that extra bit of space. Guitars that use reverb are instantly recognisable by how big & wide they make your soundscape.

The easiest way to think of a reverb pedal, is an effect that places your guitar inside an empty room. Hence the word, ‘reverb’ – short for ‘reverberation’ – i.e. the action of sound coursing back & forth in & around a certain space. So really, it’s little wonder that reverb has become a guitarist’s best friend.

It’s that effect which allows you to play delicate & fine pieces, without them loosing body. Hands down a great way to inject contrast to any song. Hence why, should you dissect modern music, you’ll find traces of reverb pretty much everywhere. Be it applied to sound or used to create wavy autotune-style vocals. Question is though, is reverb right for you? And is it necessary for all guitarists? Read on to find out…

After something specific about what a reverb pedal does? Or just curious what we think is the best reverb pedal? Use the menu below to find all the answers you need, fast…

NOTE: Interested in more than just reverb pedals? Be sure to check out our guides to the Best Guitar Pedals EVER + the best Distortion Pedals.

Choosing the best reverb pedal for your guitar is a bit like trying to name your favourite ever movie – there’s that many to consider that narrowing it down to 1 is near on impossible. Well, at least it was.

See, we’ve put our heads together & culled all the reverb pedals in existence down to little more than 10! So you can forget about anally researching every pedal in existence,& instead skip straight to the best. All that’s left to do now is grab yourself a cuppa & read on; here’s our rundown of the best reverb pedals for sale today…


1: TC Electronic Skysurfer

2: Walrus Audio R1 (high-fidelity reverb)

3: Behringer DR600

4: NUX Atlantic Multi (delay & reverb)

5: Fender Marine Layer

6: Walrus Audio Slö

7: Electro-Harmonix Holy Grail Nano

8: MXR M300 reverb

9: JHS Pedals 3 Series

10: TC Electronic Hall Of Fame 2

11: Fathom Multi-Function Reverb

12: Boss RV-6

Fan of the warm analogue reverb sound? You’re not the only one.

We’ve always had a secret fetish for analogue reverb pedals that give you that warm tone which digital pedals (even to this day) seem unable to achieve. And yes, while they may set you back a pretty packet in comparison (they’re not cheap), as a long-term investment both in you & your sound, we’d say they’re 100% worth it!!

Exactly why when we came across this pedal, we just had to give it a mention…

13: Source Audio One Series (spring reverb)

In the case you are an ‘on-the-go’ type of musician, then chances are you’re after a pedal that’s portable, compact & not overly valuable. Having a £300 reverb smashed to bits in the back of a tour bus isn’t exactly what you’d call a ‘low cost’ mistake.

And you see, that’s what we like about this pedal from Donner. On the surface, it’s nothing fancy. There’s no eye-popping design or 1000 features, but as far as reverb goes, the core ingredients are there. Not only that but the low £$€ also makes it a great option for beginners too. Precisely why for us, it’s the best mini reverb pedal you can buy today…

14: Donner Reverb pedal

When it comes to choosing a reverb pedal for synth, we’d suggest opting for something high powered. A pedal that’s not necessarily the most portable, but comes with all the bells & whistles. Besides, when have you ever heard anyone looking for a portable synth? Exactly – you haven’t.

Hence why we chose this pedal as our pick for the best reverb pedal for synth. It’s featured-packed, built like a tank & is even used by the likes of Martin Garrix & Bon Iver! So if you want to turn your synth into a never-ending soundscape, read on…

15: Strymon Blue Sky

Enjoy this review of the best reverb pedals & eager for more?Dive into our recent Reviews Of Guitar Effects Pedals, as well as delve deeper into our thoughts on Music Production Gear. Recently, we also did a rundown of the Best Looper Pedals + another on the Best Overdrive Pedals, which may also be a good read!

Or, if you’re here purely to learn more about reverb pedals, keep reading & we’ll answer even more of your burning questions…

Among the most common effects that guitarists have on their pedalboard is reverb. Reverb pedals are intended to simulate the effects of reverberation and are [usually] digital. To simulate authentic acoustic reverb, they modify the incoming guitar or instrument sound with pre-delay, decay, and other settings. 

At the output, the direct signal is merged with the affected signal. Reverb is a fantastic audio effect based on the natural world and sounds amazing on almost all sound sources. It’s among the most often used musical effects overall. Reverb units are commonplace on pedalboards all around the world.

It’s absolutely an individual’s choice whether he wants to have reverb or delay pedal first. Most delay pedals can produce some good reverb sounds, while most reverb pedals can’t provide good delays. A decent delay is the most adaptable effects pedal of the two. Ideally, of course, you’d utilize both delay and reverb to add texture and create a sense of “distance” to your sound. 

Delay may be used for anything from a chorus-like deepening or doubling effect to a sound that builds harmony. A decent delay would probably provide greater adaptability if you could only have one. It would be best to look for a delay that offers various delay “types,” such as digital, analog (bucket brigade), tape, and maybe a few more like reverse, ping-pong, or triplets. 

Reverb gives your music a sense of reverberation by simulating the sound of your guitar in a small area. On the other hand, delay creates an echo-like effect by repeatedly duplicating your guitar’s sound over time.

Yes! Reverb is mostly a digital effect. Other than strange mechanical objects like springs or plates, reverb is the sound of a place. Therefore analogue reverb is the sound of a large, ancient room. But also bear in mind that reverbs are predominantly digital. 

The main difference between analogue and digital is often that analogue effects sound less “pristine” than digital ones (at least as far as modulation is concerned), which makes digital sound harsh until the sound is further modified. 

Incorrect analogue/digital conversion may also result in artifacts. However, many digital pedals also produce a dry analogue signal, making just the affected sound digital. As long as the effect sounds decent, this is OK.

Well, it depends. The reverb pedal is your best option if you want a richer sound for live performances and recording, and your amp doesn’t have reverb (or has a subpar one, which is pretty typical). However, it would be best if you used the delay pedal to be more experimental or wanted your solos to sound interesting. 

Reverb may give your recorded playing a broader tone. It may also give depth when performed live, particularly in quiet-sounding spaces. To understand how you may utilize reverb to enhance your sound, consider how much better a skilled singer sounds in a huge theatre with natural reverb than on a street corner. However, it is not mandatory to have a reverb pedal. 

Well, the answer is most metal guitarists don’t use reverb; instead, they use delay. When used judiciously, the delay is a fantastic effect for heavy metal. It is frequently heard giving main lines a wider range and aiding in their ability to blend well. 

Some guitarists have also employed extremely short single repeats to give their rhythms a double-tracked feel. Metal first appears to be a straightforward tone-wise genre; all you need to do is put up a nice distortion, and you’re ready to go. But it takes thinking, tinkering, and the correct equipment to create a great-sounding metal guitar tone.

Unless you already have modulation pedals following it, reverb often occurs after a chain. What kind of reverb you’re using will probably affect where you put a reverb pedal. If the reverb is more contemporary and sound-effect-style, it can be placed anywhere along a chain. A reverse reverb, for instance, may sound fantastic in front of a delay. 

On the other hand, if it has a more traditional room or hall sound, it will profit from being further down the chain. As with audio sources in a rehearsal area or concert venue, this will cause earlier effects to be “glued together.”

Are you even a John Mayer fan if you’re not wondering what reverb he uses? Mayer has demonstrated a preference for employing standalone spring reverb units like the 1963 Fender tube reverb tank or spring reverbs incorporated into Fender amplifiers when it comes to reverbs. Mayer chooses the Strymon Flint Tremolo and Reverb pedal when he needs to rely on a pedal to obtain his desired reverb sound.

It should come as no surprise that the sound of this pedal is modeled after antique spring reverbs and tremolos that were included with many Fender amplifiers. The Flint produces sounds of the highest caliber and most realistic of any Strymon pedal. Like one would anticipate from Strymon, it is made of durable materials. However, the Flint costs a hefty $299, much like any other Strymon pedal.

It depends on your preference! Many people think analog reverb work just as fine as digital reverb, and an individual has to use both to decide which works the best for him. But in our opinion, we think digital reverbs work better than analogue. Some guitarists like to keep their signal as analogue as possible since analogue delays may sound quite melodic and appealing. 

However, digital delays provide tremendous versatility because of features like preset memory, accurate delay time management, and analogue delay emulations. Digital delay pedals use digital signal processing (DSP) chips to produce echo effects. 

They are more adaptable than analogue delay pedals, and some even support MIDI control. This implies that they may be any color, level of transparency, length, or width the designers choose.